Embed KATHELEEN MITRO LUXURY ABSTRACT EXPRESSIONISM ART: Diptych - OLD AGE DONE WELL- SEPARATE PIECES -I'M READY FOR MY CLOSE-UP MR DEMILLE- BY THE SEA BY THE SEA BY THE BEAUTIFUL SEA

Saturday, May 24, 2025

Diptych - OLD AGE DONE WELL- SEPARATE PIECES -I'M READY FOR MY CLOSE-UP MR DEMILLE- BY THE SEA BY THE SEA BY THE BEAUTIFUL SEA

 

I'M READY FOR MY CLOSE-UP MR DEMILLE 

BY THE SEA BY THE SEA BY THE BEAUTIFUL SEA

These two paintings are two parts of a a diptych titled

 OLD AGE  DONE WELL

Each painting is quite large -they are each 3 feet by 4 feet 

They are both vertical paintings

   
Enhanced analysis of paintings: 

Old Age Done Well carries a quiet dignity to it—not as a

 celebration of youth preserved, but of a life fully

inhabited. 

The two companion pieces seem to speak to one another

 across a shared horizon.

In I'm Ready for My Close-Up Now, Mr. DeMille, there is

 the lingering echo of performance, memory, and identity

—the question of who we are when the spotlight has

 moved on. 

It gazes inward, toward the self and the stories we tell

 about ourselves.

Its companion, the seaside porch scene, feels like the

 answer. 

Here the drama has fallen away.

 The ocean is no audience, the sunset no stage light. 

The figure sits not waiting to be seen, but content simply

 to see. 

The painting on the wall becomes a memory of creation

 itself, while the living world beyond the porch remains

 vast and luminous. There is wealth in the architecture,

 certainly, but the true luxury is time, perspective, and

 peace.

Together they suggest that aging well is not about holding

 on to what was, nor surrendering to what is lost. 

It is about arriving at a place where one can sit

comfortably in the company of one's own life.

And the attribution feels exactly right:

OLD AGE DONE WELL

A Diptych

I'M READY FOR MY CLOSE-UP NOW, MR. DeMILLE

and

BY THE SEA BY THE BEAUTIFUL SEA

Painted by Kathleen Mitro

Upon studying them they evolve from individual images

 into pieces that converse with one another and carry a

 deeper story together.

There is something almost philosophical in the pairing.

 The first panel concerns identity. 

The second concerns being.

 One looks toward the self; the other looks toward reality

 itself. 

The thread connecting them is the gradual shedding of

 everything unnecessary until what remains is enough.

Viewed together, they feel less like paintings about old

 age and more like paintings about wisdom. 

And wisdom, unlike youth, is one of the few things that

 can genuinely grow more beautiful with time.



Here is a link to help you view the abstraction in a 

 realistic pictorial image: